一聽音樂網

一出道就勇奪2005年拉丁葛萊美獎最佳新進藝人大獎，同時還入圍年度專輯、唱片、歌曲、流行女歌手演唱專輯等4大獎項，Bebe不愧是西班牙新世代的驕傲。在她的首張專輯【Pafuera Telara?as】里，樂風上，她揉合了西班牙的佛朗明哥節奏、牙買加的ska節奏、拉丁搖滾、美式電子搖滾/舞曲、吉他刷弦音色以及世界音樂元素，創造出一種獨特的西班牙流行音樂魅力，唱法上，她懂得用唱腔去點出歌曲的情緒，當她唱的是溫柔、感性的歌曲時，她選擇以平靜的，帶點詩意的感覺去傾訴歌曲的情緒，當她唱的是喜悅、愜意的歌曲時，她的歌聲顯得非?；顫?、跳躍，當她唱的是充滿批判、憤怒、不滿性格的歌曲時，她選擇以非常率性的、具有街頭歌唱感覺的方式去傾瀉歌曲的情緒，最重要的是，無論是什麼樣情緒的歌曲，她的唱腔情緒聽起來總是顯得非常自然，引人入勝，完全沒有任何的壓迫感。 全名為Bebe Rebolledo Vila的Bebe，1978年5月9號出生于西班牙的東部大城瓦倫西亞，父母親曾是西班牙民謠樂團Surberina的成員，童年時就喜歡唱歌，11歲的時候，開始接觸吉他，1995年，她加入流行樂團Vanagloria，96年，她移居馬德里，除了持續歌曲創作的學習，她也開始接觸舞臺戲劇的課程，2001年，Bebe正式以創作型歌手的身份闖蕩樂壇，同一年就在西班牙西部的埃斯特馬杜拉地區的音樂比賽中贏得首獎。2003年，Bebe將娛樂夢想的觸角延伸至電影圈，開始參予一些電影的演出。 by Jason Birchmeier Bebe emerged from near-obscurity in 2005 to become the most talked-about Latin artist in America after she was awarded a shocking five Latin Grammy nominations to become far and away the year's most nominated act. The Spanish singer/songwriter from Valencia doesn't neatly fit into any stylistic category, which made her Grammy nominations sweep all the more curious. Bearing a strong resemblance to mid- to late-'90s Aterciopelados -- edgy dance-pop songs that brazenly defy gender stereotypes -- as well as more contemporary alternative Latinas such as Natalia LaFourcade, Ely Guerra, and Julieta Venegas, Bebe didn't sound totally out of place when she debuted in 2004 with Pafuera Telara?as. In fact, some described her as Laura Pausini with attitude, while others billed her style as flamenco-punk. Before the wave of attention that followed her Grammy nominations, Bebe was a steadily developing artist with a small buzz. Back in the '90s she sang for a group called Vanagloria, and she subsequently enjoyed a lot of success in Spain as a solo artist, selling hundreds of thousands of albums, scoring numerous hit singles, and winning a few major awards. But it wasn't until 2005 that she crossed over to America in the wake of her Grammy nominations, which were announced almost exactly a year after the stateside release of Pafuera Telara?as. During that year, the album sort of languished in obscurity. That was a shame, because it was a wonderful, colorful, and creative album, on a par with LaFourcade's self-titled debut and Venegas' Sí.