一聽音樂網

A blitzkrieg fusion of hardcore punk, Sonic Youth-style noise freak-outs, heavy metal,
and melodic hard rock in the vein of Neil Young, You're Living All Over Me was a turning point
in American underground rock & roll. With its thin, unbalanced mix, the album sounds positively
menacing and edgy — Lou Barlow's bass barrels forward over Murph's clanking drums, with J Mascis'
guitar twisting pummeling riffs and careening, occasionally atonal solos. It established guitar heroics
as a part of indie rock, bringing the noise of Sonic Youth into more conventional song structures.
Also, Mascis' laconic, self-absorbed whine was a distinct departure from the furious post-hardcore rants,
or the mumbling Michael Stipe imitations, that dominated indie rock. While the songwriting is occasionally
uneven, the best moments of You're Living All Over Me — "Little Fury Things," "Raisans," "In a Jar," and
Barlow's proto-Sebadoh "Poledo" — retain their power, and it's possible to hear the record's influence
throughout alternative rock.