Alberto Iglesias的個人檔案
歌手：Alberto Iglesias
性別：男
Alberto Iglesias簡介
小簡介
Alberto Iglesias，巴斯克人，伊比利亞最好的配樂手。與西班牙兩個最有影響力的導演保持著長期合作的關系：一是Almodovar，一是Julio Medem。
他與Julio Medem合作始于短片Las Seis en punta，此后從Vacas至Sex and Luica為止，Julio Medem的五部電影均由Alberto Iglesias配樂。不知道算是他幫Julio奠定了西班牙影壇的地位，還是Julio給了他一個從無名氏到鶴立雞群的契機。
他與Almodovar的合作始于La flor de mi Secreto，至老阿的近作Volver為止，其間6部電影均由Alberto Iglesias配樂?？梢哉f是老阿將他帶向了國際影壇。
近年，The Constant Gardener和The Kite Runner先后獲得奧斯卡最佳配樂提名。相信，他遲早會拿下這座小金人。
Spanish film composer Alberto Iglesias was born in San Sebastian in 1955. He spent his early years studying harmony and counterpoint in the city of his birth, later studying composition and piano in the studios of Phonos de Barcelona. Wrapping up his period of formal education, Iglesias formed a duo with fellow composer Javier Navarrete creating electronic music, touring and performing from 1981 to 1986. This spark for creative and unconventional techniques would come to characterize Iglesias' career. Thanks to personal connections made by his brother Jose Luis, Iglesias began working in the world film music in the mid-'80s, scoring films such as La Conquista de Albania (1984) and El Sue?o de Tanger (1986). Though well liked by industry insiders, Iglesias' compositions had not found large audiences before his collaborations with Julio Médem, one of Spain's most influential directors. 1991's Vacas (Medém), followed by 1993's La Ardilla Roja formed an important alliance between Medém and Iglesias that would lift the young composer to new heights of renown. Thanks to the films' success and the quality of Iglesias' work, he was solicited for a number of projects throughout the '90s, including the national hits Los Amantes del Circulo Polar (1998) and Pedro Almodóvar's Todo Sobre Mi Madre (1999). The latter marked the beginning of an important partnership with Almodóvar, as well as Iglesias' arrival as an internationally recognized voice in film music. This hard earned reputation was further established with the award winning score for Talk to Her, followed by La Mauvaise Education. Iglesias' impeccable work was introduced to U.S. audiences via his Oscar-nominated score for The Constant Gardener.
Alberto Iglesias，巴斯克人，伊比利亞最好的配樂手。與西班牙兩個最有影響力的導演保持著長期合作的關系：一是Almodovar，一是Julio Medem。
他與Julio Medem合作始于短片Las Seis en punta，此后從Vacas至Sex and Luica為止，Julio Medem的五部電影均由Alberto Iglesias配樂。不知道算是他幫Julio奠定了西班牙影壇的地位，還是Julio給了他一個從無名氏到鶴立雞群的契機。
他與Almodovar的合作始于La flor de mi Secreto，至老阿的近作Volver為止，其間6部電影均由Alberto Iglesias配樂?？梢哉f是老阿將他帶向了國際影壇。
近年，The Constant Gardener和The Kite Runner先后獲得奧斯卡最佳配樂提名。相信，他遲早會拿下這座小金人。
Spanish film composer Alberto Iglesias was born in San Sebastian in 1955. He spent his early years studying harmony and counterpoint in the city of his birth, later studying composition and piano in the studios of Phonos de Barcelona. Wrapping up his period of formal education, Iglesias formed a duo with fellow composer Javier Navarrete creating electronic music, touring and performing from 1981 to 1986. This spark for creative and unconventional techniques would come to characterize Iglesias' career. Thanks to personal connections made by his brother Jose Luis, Iglesias began working in the world film music in the mid-'80s, scoring films such as La Conquista de Albania (1984) and El Sue?o de Tanger (1986). Though well liked by industry insiders, Iglesias' compositions had not found large audiences before his collaborations with Julio Médem, one of Spain's most influential directors. 1991's Vacas (Medém), followed by 1993's La Ardilla Roja formed an important alliance between Medém and Iglesias that would lift the young composer to new heights of renown. Thanks to the films' success and the quality of Iglesias' work, he was solicited for a number of projects throughout the '90s, including the national hits Los Amantes del Circulo Polar (1998) and Pedro Almodóvar's Todo Sobre Mi Madre (1999). The latter marked the beginning of an important partnership with Almodóvar, as well as Iglesias' arrival as an internationally recognized voice in film music. This hard earned reputation was further established with the award winning score for Talk to Her, followed by La Mauvaise Education. Iglesias' impeccable work was introduced to U.S. audiences via his Oscar-nominated score for The Constant Gardener.